The TV shows that made office life worth watching

The TV shows that made office life worth watching

Proof that the funniest place on earth is wherever a group of people are forced to pretend they like their jobs.

Taxi
(
1978
)
A cab company's misfit night-shift drivers, anchored by some of the best sitcom writing of its era — the workplace comedy ensemble's template.
Cheers
(
1982
)
A Boston bar where everybody knows your name — the will-they-won't-they blueprint every workplace comedy since has quietly copied.
The Larry Sanders Show
(
1992
)
A late-night host's ego and insecurity, skewered from behind the curtain — meaner and sharper than talk shows ever let on.
NewsRadio
(
1995
)
A chaotic New York radio station run by a lovable, insufferable staff — underrated, endlessly quotable, stacked with comedic talent.
Scrubs
(
2001
)
A hospital comedy that swings from surreal daydream sequences to genuinely moving medical drama without ever losing its footing.
The Office (UK)
(
2001
)
Ricky Gervais's cringe-comedy blueprint, set in a dead-end paper company office — shorter, bleaker, arguably funnier than its remake.
The Office (US)
(
2005
)
A documentary crew captures the mundane absurdity of a Scranton paper company — turns workplace tedium into one of the warmest sitcoms ever made.
30 Rock
(
2006
)
A sketch show's chaotic writers' room, powered by jokes fired at a speed no other sitcom has matched — Tina Fey at her sharpest.
The IT Crowd
(
2006
)
Two basement-dwelling IT guys and their hopelessly technophobic manager — broad, silly, and reliably hilarious.
Party Down
(
2009
)
A catering crew of failed actors serves LA's elite between auditions — bitter, hilarious, painfully accurate about a dream that isn't coming.
Parks and Recreation
(
2009
)
A relentlessly optimistic local government employee tries to get anything done in small-town bureaucracy — one of the warmest ensembles ever.
Veep
(
2012
)
The Vice President and her staff flail through Washington incompetence — the filthiest, funniest political satire television has produced.
Brooklyn Nine-Nine
(
2013
)
A precinct of goofball detectives solves crimes between running elaborate pranks on each other — pure, big-hearted sitcom joy.
Silicon Valley
(
2014
)
A startup founder's app gets fought over by billionaires and idiots alike — brutally accurate satire of tech culture's worst instincts.
W1A
(
2014
)
BBC bureaucracy mocked from the inside by the very institution it's skewering — a masterclass in corporate meeting-speak nonsense.
Superstore
(
2015
)
A big-box retail store's staff navigate low pay and higher-ups who don't care — funnier and angrier about labor than a sitcom should be.
People of Earth
(
2016
)
A support group for alien abductees gets investigated by a skeptical journalist — a workplace comedy in disguise, stranger than most.
Corporate
(
2018
)
Two junior employees try to survive a soul-crushing conglomerate — bleak millennial office comedy with real bite underneath the jokes.
Mythic Quest
(
2020
)
A video game studio's dysfunctional creative team fights over a game nobody can agree on — funny about the misery of making things by committee.
Hacks
(
2021
)
An aging Vegas comedian gets paired with a disgraced young writer — a mentor-mentee comedy with genuine teeth and two career-best performances.

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